It is sundown and the tumbleweeds blow down the town's dusty, desolate main street. The sign outside the barbershop creaks as it sways with each bluster. The townsfolk hold onto their hats so as not to let them succumb to mother nature. Suddenly, a handsome stranger appears on the town's wooden sidewalk. His footsteps are heavy as each plank vibrates with the sound of his boots on the old planks. Hat tipped low, folks can barely detect the outline of his steel jaw framed by a dark mustache. His finely fitted frock coat is gray flannel with contrasting cuffs, collar and pocket flaps, an obvious display of high profit from a recent poker win. The breeze blows the lapels of his frock coat open to reveal a fancy silk brocade blue waistcoat - he must be a real winner … or a cheater. The waistcoat is accompanied by a shiny glimpse of a six-shooter. The townsfolk observe the intruder from afar with suspicion as he approaches the saloon. Some dare to stop and stare. They wonder - where did he get that frock coat?

The frock coat is a very distinguished and masculine period coat that brings a gentlemanly appearance to the wearer. Nothing can turn a girl's head faster than a tip-of-the-hat from a gent dressed up in his period finery, fully decked out in frock coat, waistcoat (vest), neckwear, hat, and of course, let's not forget the guns.

Finding information on men's clothing of the period is a challenge. There are countless fashion magazines that discuss women's fashions from the era; however, little information is available regarding men's clothing. One must glean information from the few written sources available, tailoring manuals from the period, photos from the period, examination of antique garments, etc.

The frock coat is differentiated from other men's coats of the period by the seam at the waistline that separates the skirt from the upper part of the suit. Although not the only style of suit or clothing for men of the period, they were the mainstay of men's wear throughout the mid-19th Century, and were still worn into the early part of the 20th Century.

The frock coat was at its most popular in the mid to late century. It became the mainstay of men's day and business wear for all classes of society. Out west, where activities were less polished, the frock coat would have been worn for evening activities as well. The double-breasted tailcoat (a double-breasted frock coat with the skirt cut away into tails) prevailed for formal activities such as dinners, balls and social events.

As with all other suits of the period, the frock coat was worn with a waistcoat (vest), bosomed shirt, pants held up by braces, and the correct neckwear for the period. Fabrics for waistcoats ranged from a fabric that matched the suit to brightly colored fancy silk brocades.

Frock coats were made from the fabrics available during the period such as wool, silk, cotton, linen, or a blend of these thread types. Plaid and striped fabrics were very common during the 60's and 70's and were worn together as pants and coat. Inner lapels of double-breasted coats were made from silk bordered by wool fabric. It was common for the lapels, decorative pockets and cuffs to be made out of contrasting fabric, or trimmed in a matching or contrasting color. Covered buttons, often embroidered were available as early as 1826 and frequently adorned the coats. Metal or vegetable dyed ivory would have been used for buttons as well. Other natural materials were used such as horn (mid-century), and pearl (1885).

An excellent movie reference for historically accurate men's wear for the 1860's is Gangs of New York. Although this is a particularly violent movie and not for everyone, the clothing is extremely well done and depicts the styles and fabrics available to the different classes.

As mentioned previously, frock coats remained popular until the end of the century until its rival, the morning coat (or cut-away) gained popularity. From Harper's Bazar - October 1891 - New York Fashions - Men's Dress - Cut-away coats of fancy striped worsteds or of gray diagonals form part of autumn suits. Young men will continue to wear black Cheviot cut-away coats for day dress, though the preference for the double-breasted frock coat is even greater than it was last Winter. The vest may be of the Cheviot or of a fancy figured vesting. The trousers are fine stripes and checks of grayish blue or brown shades.

Keep in mind, there were many other styles of men's coats and jackets worn during this time period as well, such as morning coats (cut-away), evening dress coats, tweedsides, lounge jackets, reefers, dinner jackets (1890's tuxedos), blazers, and more. However, there is too much information for one article!

The cut and construction of all clothing from the 19th Century differs greatly from our contemporary clothing, particularly in the area of men's jackets and coats. Many reproduction frock coats are designed to give the appearance of being historically accurate but are actually constructed using contemporary cuts and techniques. These differences can be aspects to watch for, depending upon the level of historical accuracy you are seeking to achieve in reenacting.

A reference guideline and corresponding diagram have been included in order to provide a better understanding of the anatomy, and cut and construction, of a frock coat from the 19th Century and how these methods contrast with modern construction techniques used for men's clothing.

Anatomy of a Frock Coat 1860-1890

1. In a coat from 1850 to 1900, the shoulder seams differ from our modern day coats. In contemporary suits and coats, we are used to seeing the shoulder seam right across the top of the shoulder. However, 19th Century coats and jackets were made with a bias cut shoulder seam that runs at an angle down the back. This is true for all coats and jackets in the 19th Century.

2. The back of the coat is cut in four separate pieces: the two-piece back, separated by the center back seam (up to the beginning of the skirt where it forms the center back pleat), and two side body pieces that start at the mid-point of the back sleeve and curve toward the center back, approximately three to four inches from the center back seam.

3. The skirt of the coat is cut in one piece, attaching to the lower part of the center back. On each side of the back, a half pleat is formed. Two buttons adorn the points on the center back waist where the side bodies align with the skirt.

4. Sleeves would be cut in two curved-shaped pieces forming two seams front and back. The back seam of the sleeve aligns with the seam of the side body and center back. There would be a 3-4" cuff on the sleeve, or simulated by topstitching at the cuff point. Two or three buttons should be present on the sleeve cuff. Sleeves in the 1860's would be wider at the elbow than sleeves later in the century. Contemporary sleeves are cut in a single, straight piece joined by a single underarm seam.

5. Lapels were a step construction very similar to modern day construction. The size of the lapel may vary on a single-breasted frock coat from one that is narrower to a size that is equivalent to a double-breasted width.

6. The waistline, where the skirt attaches to the upper part of the coat, should be at the waist of the wearer.

7. There are no side seams in the coat, but rather a seam where the coat front meets the side body that is placed further back than the actual side of the wearer. Contemporary clothing has a side seam directly under the arm.

8. Coats of the period were meant to follow the natural shoulder line of the wearer. Shoulders were not padded, as are contemporary suits that are designed to square off the shoulder. They were reinforced on the inside with canvas at the shoulder line with possibly a light layer of wool padding or none at all. The sleeves had a layer of wool around the shoulder top and front to support the sleeve cap lightly. Jacket and coat fronts were also canvas reinforced with a slight bit of wool padding on the chest as required.

A period coat is an investment no matter what your budget and should fit you well. Getting a frock coat to fit is like getting any other men's suit to fit properly. If you are buying off-the-rack, you may have to compromise fit in some areas but this option may be less expensive. The other option is to have one made for you that is custom-tailored to your physical and material specifications. This method offers a greater selection of materials and enables you get the fit you need. Remember, it is an investment! Some aspects to look for are: good shoulder room, correct arm length, good fit in both chest and waist, the waist seam should be at the waist of the wearer (this may be difficult for tall men buying off-the-rack). Additionally, make sure that the coat fits over the top of all the other layers of clothing you will be wearing.

	One of the special things about reenacting characters from the Victorian or old west era is the distinction between ladies and gentlemen in contrast to today's gender neutrality. The frock coat greatly contributes to that differentiation. Men look so good in frock coats that I am surprised that they haven't come back in style for modern wear. Whether you wear your frock coat with a derby, cowboy hat, straw hat, or top hat, gentlemen, please keep wearing those frock coats! Denise Winter, historical clothier and proprietor of Denise Nadine Design, has been designing and constructing clothing and costumes for both ladies and gentlemen for many years. Her years of 19th Century clothing research is reflected in her reproduction designs. Denise Nadine Design offers a variety of reproduction clothing for men, including coats, waistcoats and neckwear. For the ladies: Custom gowns, and period corsets and underpinnings of all types. www.denisenadinedesign.com (719) 592-1648
1830 Style Frock Coat. The type depicted in the TNT television series Into the West
Photo: Extant Frock Coat Caption: Photo shows the exposed inner lapel of an extant double-breasted frock where the silk has rotted away. Note the layer of light wool (upper left) and canvas that reinforce the lapel and extends to the shoulder. From the author's collection. Copyright 2005 Denise Nadine Design Back to Historical Research Home Page